Curious Callback: Jennifer Higgie's "The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women's Self Portraits"

Last year, I enjoyed a fantastic live conversation on Fireside with author and art critic Jennifer Higgie about her latest book, The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women's Self Portraits. I love this book and gobbled it up in a day— I meant it when I said that I really love this book!— and I adored talking all things women artists with Jennifer. It only feels right to revisit her book, and our conversation, in connection with our current season about women artists. I hope you enjoy this chat as much as I do.

Episode #104: Bits of "Breaking Barriers": St. Catherine of Bologna (Season 12, Episode 5)

Today: Artist-nuns are not rare: just look at the example of the famed Hildegard von Bingen, long praised as one of the first-known female artists. Today, we’re uncovering the story--and the myth--behind St. Catherine of Bologna, a mystical member of the Poor Clares whose artistic talents may (or not!) have been exaggerated. From Breaking Barriers: Women of Renaissance Europe, please enjoy “St. Catherine of Bologna: The Patron Saint of Artists.”

Episode #103: Bits of "Breaking Barriers": Marietta Robusti (Season 12, Episode 4)

Today: Lots of women artists have gotten a head-start in their careers thanks to their families. Fathers, in particular, often led their remarkable daughters to find great success in the arts, and Marietta Robusti was no exception: her dear old dad was none other than Tintoretto, a Venetian master. But did Tintoretto’s adoration of his daughter hold her back from achieving greater heights? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Marietta Robusti: Like Father, Like Daughter.”

Episode #101: Bits of "Breaking Barriers": Fede Galizia (Season 12, Episode 2)

Today: She might not have had the backing of royal patrons or the fancy aristocratic connections that Levina Teerlinc and Sofonisba Anguissola had, but Fede Galizia still did well for herself with commissions. And she was an innovator, to boot, often noted as the first-known Italian artist to have completed a still life painting at a time where the genre was not yet fashionable From Breaking Barriers: Women of Renaissance Europe, please enjoy “Fede Galizia: Early Still-Life Adopter.”