Episode #22: Hitler the (Failed) Artist (Season 2, Episode 2)

In June 2015, an auction house in Nuremberg, Germany, made headlines for a group of 14 small works sold for a sum of around $450,000. But when it comes to art and art auctions, we have to face a truth: a grand total of four hundred and fifty thousand dollars, spread out over the sale of fourteen separate pieces of mediocre quality, at a small auction house in Europe? Really, that isn't a fantastic haul, and shouldn't have garnered too much media interest. And yet it was a big deal. Why? What was so great about them? Well, it actually wasn't about quality or greatness at all. It was more about notoriety, because the artist was one of the most abhorrent human beings in all of history. The artist was Adolf Hitler.

In this episode, we contemplate the way that fine art inspired, affected, and ultimately molded the man who would become the biggest architect of terror in the 20th century.

Episode #21: Season Prologue- The Relationship Between Art and War (Season 2, Episode 1)

It was the most widespread war in history, involving the participation of more than one hundred million people from around the world, including the greatest powers across the globe: the United States, Great Britain, France, Germany, China, Japan, Italy, and the Soviet Union. It affected life in myriad ways: economically, politically, industrially, scientifically, ideologically. And its reach was one of the most horrible. Between the deaths on the battlefield and the mass killings of civilians, an estimated 50 to 85 million fatalities occurred, making it the deadliest conflict in all of recorded human history. And yet, at the same time, it spurred on glimpses of positivity in the midst of this darkness: giving rise to the so-called Greatest Generation, and leading to advances in medicine and aviation, in information technology, and many other sectors.

This was World War Two. But what did the war have to do with art? And how are the effects of the war still being felt today?

CURIOUS CALLBACK: Episode #5: Death and Disaster, Warhol and Weegee

Death has always been a part of art history. That's one of the beautiful things about art-- it can detail and document and celebrate every facet of our existence. And so much of the great art that we know and love today works in the capacity to stave off one of the terrible side effects death-- being forgotten. Portraits, stone monuments, ancient coins-- they all aim to ensure that the subjects depicted will be remembered and revered for all eternity.

But Andy Warhol’s take on mortality wasn't about memorializing. He instead focused on the direct causes of death, or the aftermath of a terrible accident. His series, Death and Disaster, is one of the most well-known and polarizing of his career. But Warhol wasn't the first artist to focus on the everyday tragedy of death as a subject to quite this revealing and exploitative extent. No, that honor might very well belong to someone else-- an immigrant photographer working in Manhattan in the 1930s and 1940s.

In this episode, we discover the subject matter and motivations behind Andy Warhol's Death and Disaster series, and relate them to the work of the greatest crime scene photographer in history, Weegee.

CURIOUS CALLBACK: Episode #3: The Semi-Charmed Life of Elisabeth Vigeé Le Brun

Marie Antoinette, Queen of France, had an image problem: she was seen as frivolous, silly, and out-of-touch. In order to combat her poor press, the royal court commissioned a series of portraits of the queen to make her more relatable and sympathetic. Such images act as excellent propaganda machines, giving Marie Antoinette a much-needed positive spin. But what is even more marvelous is the backstory of the artist who created these portraits-- because the painter who was chosen to portray the highest woman in the land was… another woman.

Talk about a revolution.

In the third episode of the ArtCurious Podcast, we'll look at the lucky and semi-charmed life of Elisabeth Vigée Le Brun, one of the most popular painters of 18th-century France and the official court painter of Marie Antoinette.

Episode #20: Sofonisba Anguissola: Great (Woman) Artist

Today’s special episode of ArtCurious is the end result of a collaboration with art historian Ellen Oreddson and her excellent blog, How to Talk About Art History. Ellen has her own contribution to this topic on her site, where she lists five artists, inspired by the five women artists hashtag, and briefly discusses why each has been left out of the traditional art historical canon. Don't miss this insightful and fascinating post!

Episode #19: Conservation and Controversy

Conservators are art heroes: they transform damaged or dirty works of art into beautiful, fresh works for public consumption. Then why is it that conservation has been at the center of some of the biggest art historical controversies of the last fifty years? What does a conservator really do, and what happens when conservation goes too far?

BONUS EPISODE: What is Art? (With A Thousand Things to Talk About)

We are incredibly thrilled to release a bonus episode with our friend, Andrea Parrish, at A Thousand Things to Talk About! This daily podcast is the perfect start to your morning, with a brief 2-3 minute episode with thought-provoking questions and research. A Thousand Things to Talk About also offers the occasional "deep dive," and we're so excited to be a part of this one-- What is Art? It's a question that seems simple, but in reality, is it?

Episode #18: Diagnosis: Art History

Over the centuries, there have been numerous examples of fine artists creating works of art that deliberately work with and within contemporaneous medical thought, portraying people with particular ailments or diseases. But what about if we turn that concept around a little bit? What happens when those in the medical field turn to paintings or sculptures from the past and retroactively investigate the health of the individuals depicted therein? What happens when art history turns into a diagnosis?

Episode #17: The Casino of the Spirits

Venice-- it's the most serene and beautiful city in Italy, and possibly the whole world. But Venice at night-- all darkened and quiet-- takes up the most space in my imagination. I seriously love the depictions of Venice as enigmatic, shadowy, and even dangerous. Without cars or streetlights or other modern comforts, you might feel like you’ve stepped back in time and that around any given corner, you could find… anything. All of this lends Venice this air of inscrutability and mystery. And over time, locals and visitors alike have reveled in this sensation as fodder for myth-making and storytelling. Some stories really stick, lasting for centuries and becoming embedded into the city itself, through its buildings, monuments, and specific locations. And there’s one building that has had plenty of legends built around it. This particular elegant structure had an illustrious past, having once been a meeting place where Italian Renaissance artists discussed their craft, caroused, and gambled. But it’s also the location where relationships soured, crimes were committed, and death inevitably followed. Today, some people won’t even enter this particular building because it is feared to be haunted, cursed… or both.

Episode #16: The Muse

Sometimes when I am looking at a particularly fascinating work of art, I find myself overwhelmed with awe-- for the creative act itself and the technical prowess that was needed to bring it to fruition. I’ve often had those moments where I have thought to myself, “Wow. How did this all come about? What is the inspiration behind this piece?” And any conversation about inspiration in the arts inevitably brings up a discussion about muses. This episode looks at the relationship--and occasional romance-- between artists and their muses, with a particular emphasis on one woman whose connection to two brothers illustrates this exchange in a compelling way.

Episode #15: Hans-Joachim Bohlmann and Serial Art Vandalism

A few months ago, I began looking into occurrences of art vandalism-- the purposeful destruction or harm of works of art that have occurred consistently, especially throughout the 20th century. As I read up, I saw that most of these events were one-offs: single moments where one person made a rash and ridiculous choice to lash out at a particular work of art. But then, I began to notice one name popping up over and over again- a German man who, over his lifetime, damaged over fifty works of art, creating a name for himself and a lasting impression on the art world. This episode, in a continuation of our Bigger Picture series, digs deeper into art attacks and examine the life and legacy of the vandal Hans-Joachim Bohlmann.

Episode #14: Samuel F. B. Morse's Gallery of the Louvre (Season 1, Episode 14)

How many know that the inventor of the telegraph and co-creator of Morse code--Samuel F. B. Morse-- was a successful artist, too? And crazily enough, one of his paintings in particular, foreshadowed his interest in communication tools, providing the impetus for revolutionizing communication--and, indeed, the world as we know it. Listen in for details on Morse's masterpiece, Gallery of the Louvre.

Episode #13: Diego and Frida, Part 2

Glamour. Curiosity. Excitement. A love story for the ages. Such are the types of descriptors that you hear when you ponder the life and love of Frida Kahlo and Diego Rivera. Truly, in the pantheon of great artistic relationships, they are one of the top couples out there. And they had the great fortune, or whatever you want to call it, of living their exciting lives in front of the camera, as well as on canvas. Google them, and all kinds of lovey-dovey images come up-- images of Diego nuzzling Frida, images of them kissing, of her embracing him around his wide middle section. But what some people neglect, or possibly even forget, is that their relationship was by no means perfect. There were great ups, of course, but the downs? Incredible. Even Diego Rivera himself was aware of this fact, later writing, quote, “If I ever loved a woman, the more I loved her, the more I wanted to hurt her. Frida was the most obvious victim of this disgusting trait.” Harsh words. But would they always be that way?

Episode #12: Diego and Frida, Part 1

There’s something a little strange about the pairing of Frida Kahlo and Diego Rivera. Certainly it’s the surprise of a pairing of seeming opposites, at least from a physical standpoint-- she the small, seductive, and somewhat frail painter whose subject matter referred to the most intimate sides of her own life; he, the large and somewhat brutish muralist whose large-scale works touched upon revolution and justice and larger issues of Mexican history. There’s almost a Beauty and the Beast quality there, and for many of us, the relationship between these two artists is just as intriguing as their creative output. And especially when it comes to Frida’s art, it’s very hard to separate their love from their artistic legacy. But how did it begin? And what is it about these two that makes them so fascinating, even 60 years later?

Episode #11: Art Attack!

Throughout art history, there have been multiple occasions where people have entered into a museum or gallery with the explicit intention of harming or outright destroying a work of art. And some of the most iconic and greatest works of art in the world have been the targets of these disastrous missions. The big question, though, is why? What motivates people into a full blown art-attack?

Episode #10: When Statues Cry

Nearly ten years ago, my then-boyfriend, now husband, and I were backpacking through the Balkans region of Europe. After arriving in Bosnia, we opted to take a day trip to a small town called Medjugorje, in Herzegovina. We had heard that it was a popular place with tourists from all over the world, and we were eager to check it out. But what we didn't quite expect were the reasons why the town was so well-known. And the reasons are twofold: first, it was the location of a sighting in 1981 of the Virgin Mary, who was said to have appeared to a group of teenagers there. As such, the town became a holy pilgrimage site, particularly for Catholics around the world. Even though the vision of the Virgin hasn't been promoted or officially accepted by the Vatican, it hasn't stopped the flow of visitors clamoring for the chance to visit this seemingly holy place. In remembrance of the miraculous vision, a beautiful church was erected. And in the church’s garden, a bronze statue of the risen Christ was also placed. But here's the further reason for the pilgrimage- since 2000, that statue has had a so-called weeping knee- miraculously producing a clear fluid each and every day for the last 16 years.

We saw this statue with our own eyes. We touched it, and we watched as dozens of people collected the clear fluid- not water, not oil, but something else- into souvenir bottles that were sold all over the town. Still, I didn't know what to think, or how to react. Was this statue for real? I think that belief and faith are beautiful, incredible things. But I also felt skeptical, too. I found myself torn in the middle- religious yet unbelieving, living in a gray area. But like Fox Mulder, I want to believe.

Episode #9: The CIA/AbEx Connection

If there is one thing that’s true in this world, it’s that there sure isn't a lack of conspiracy theories out there. Think about it: almost every big mystery or question has a slough of alternative explanations involving everything from Big Brother to the Illuminati to the Masons...and of course we can’t overlook aliens. Oswald wasn’t the lone gunman; the Apollo moon landing never happened and was filmed instead on a Hollywood sound stage; the government is hiding proof of alien life; the Mona Lisa on view at the Louvre is a fake. Every day we might hear a new, wacky theory, even in the art world, like how the CIA funneled money into the arts, towards revolutionary painters like Jackson Pollock and Mark Rothko, in order to fight the Cold War. Crazy, right? I mean, what a bizarre way to attempt to covertly bring down the Russians?

Except that this last one isn't a crazy conspiracy theory at all. It’s actually a true story of propaganda, secrets, lies, and fine art. The pen is mightier than the sword, the saying goes. Well, it turns out that the same could be said about the paintbrush.

Episode #8: What Happened to the Amber Room?

One of the most awe-inspiring sights in and around St. Petersburg, Russia, is the Catherine Palace, a rococo summer residence for the imperial family of yore. Up until World War II, The Catherine Palace housed something so incredible, so coveted, and so gorgeous that for hundreds of years, travelers fro all over the world flocked to admire it, referred to as the "Eighth Wonder of the World." And then, in the early 1940s with the Nazi invasion of the Soviet Union, this priceless creation was stolen. And to this day, it has still never been found.

What happened to the Amber Room?

Episode #7: Was Walter Sickert Actually Jack the Ripper? PART TWO

Back in 2002, I was browsing a new releases table at my local bookstore when a particular book caught my eye. It seemed like yet another crime novel, one among hundreds. And so, I moved on, until I saw the subtitle of the book: Jack the Ripper: Case Closed. In it, the author released a bombshell statement: she had purportedly solved the mystery of Jack the Ripper's identity, which had evaded researchers, historians, and police for over one hundred years.

Jack the Ripper, she said, was the English painter Walter Sickert.

If you are just tuning in to the ArtCurious Podcast for the first time, please stop and listen to Episode #6 to get the backstory on Jack the Ripper's crimes.