All tagged new season
Hi, everyone! Jennifer here with a few little announcements: Season 10 begins THIS Monday, October 11th. Yay!
Also beginning Monday: LIVE bonus shows on Fireside, the interactive storytelling platform. On Oct. 11, author and poet Mary Peacock will chat with us about her new book, Flower Diary--grab your copy now and join us and share your questions and thoughts by using this link for Fireside.
Join our limited virtual tour of Michelangelo's Florence: Friday, November 5th at 7:30 PM Eastern. Tickets and further details on our website, here.
In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold, considering why they garnered so much money, and discovering their backstories. Today: Gustav Klimt’s Adele Bloch-Bauer I.
In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories, beginning with Amadeo Modigliani’s Nu Couché.
For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Rosa Bonheur.
For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum.
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Jusepe de Ribera.
For most Americans, there’s a list of arts that they might be able to rattle off if pressed to name them off the top of their heads. Picasso. Michelangelo. Leonardo da Vinci. Name recognition does go a long way, but such lists also highlight what many of us don’t know-- a huge treasure trove of talented artists from decades or centuries past that might not be household names, but still have created incredible additions to the story of art. It’s not a surprise that many of these individuals represent the more diverse side of things, too-- women, people of color, different spheres of the social or sexual spectrum. '
This season on the ArtCurious podcast, we’re covering the coolest artists you don’t know. This week: Angelica Kauffman.
This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a contemporary art conundrum. Who is responsible for the death of Ana Mendieta?
This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a revisiting of our popular two-parter from season 1. Was British painter Walter Sickert actually Jack the Ripper? (Part Two)
This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a revisiting of our popular two-parter from season 1. Was British painter Walter Sickert actually Jack the Ripper?
This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. Today’s show: a look into our favorite bad-boy artist, Caravaggio— he was a known murderer, but was he himself murdered?
Welcome to Season 6 of the ArtCurious Podcast! This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. First up: a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Courbet’s The Origin of the World.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art" flips the script, from a piece that was accepted (or at least tolerated) in its time, and has since become a rallying point for the #MeToo movement: Balthus’ Thérèse Dreaming.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Gericault’s The Raft of the Medusa.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Duchamp’s Fountain.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" David’s The Death of Marat.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Eakins’ The Gross Clinic.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Caravaggio's Sick Bacchus.