All tagged Paris
In our tenth season, we’re going at art history with a skeptical eye and a myth-busting attitude to uncover the fictions and facts about some of our favorite artists. We’re starting our season today with this fascinating theory: Is the Mona Lisa really just a portrait of Leonardo da Vinci in drag?
In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories, beginning with Amadeo Modigliani’s Nu Couché.
You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week, it’s our fave lady, back from Season 1— it’s Episode #3, all about Elisabeth Vigée Le Brun. ~Heart eyes emojis!~
You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week— our very first episode, from 2016, about the theft(s) of the iconic Mona Lisa.
This is the second part of this episode-- go back and listen to last week's show if you're just tuning in.
You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up this week— our very first episode, from 2016, about the theft(s) of the iconic Mona Lisa.
You voted, and we listened! For the next couple of months, we’re replaying your top five favorite episodes of ArtCurious. Thanks to the many who voted! Up first this week— Episode #40 from our fourth season, all about Sargent’s Madame X.
Gift-giving: it’s one of the primary ways to solidify a relationship. But what happens when gifting goes suddenly wrong, and alters a friendship for good?
There’s an old quote that I’m sure you’ve heard referenced in a million sitcoms or Looney Tunes cartoons- though it actually stems from a 1932 western-- where one character, all flinty-eyed, turns to another, and declares, “This town ain’t big enough for the both of us.” It’s an order meant to scare someone away, but it’s also a declaration of the feelings of rivalry, of jealousy, as if it shouldn’t be allowed that two people of similar stature could be functioning-- or even flourishing-- in the same place and time. After all, you couldn’t possibly have two star quarterbacks on the team, or two top valedictorians. Someone always has to be the best, or even more importantly, to be seen by the public as the best. But was this true in the case of the two top female painters in Revolutionary-era France?