Episode #37: Rivals- Vigée Le Brun vs. Labille-Guiard (Season 3, Episode 6)

There’s an old quote that I’m sure you’ve heard referenced in a million sitcoms or Looney Tunes cartoons- though it actually stems from a 1932 western-- where one character, all flinty-eyed, turns to another, and declares, “This town ain’t big enough for the both of us.” It’s an order meant to scare someone away, but it’s also a declaration of the feelings of rivalry, of jealousy, as if it shouldn’t be allowed that two people of similar stature could be functioning-- or even flourishing-- in the same place and time. After all, you couldn’t possibly have two star quarterbacks on the team, or two top valedictorians. Someone always has to be the best, or even more importantly, to be seen by the public as the best. But was this true in the case of the two top female painters in Revolutionary-era France?

Episode #35: Rivals- Lee Krasner and Elaine de Kooning vs. Their Husbands (Season 3, Episode 4)

Anyone familiar with Abstract Expressionism will tell you that this art movement was one where all the insiders or practitioners were more closely involved than many other art movements. Such close confines also made for some serious rivalries, too. But there were other artists who were more intimately involved with one another and their artistic process-- they were married, or were lovers. Such is the case with both Jackson Pollock and Willem de Kooning --both of whom married women who were incredible artists in their own right. Interestingly, and sadly, when these two spouses are mentioned, it’s very rare that we are treated to sincere commentary just about their works of art. More often than not, we are, instead, given explanations of how these women measure up to their (admittedly more famous) husbands, and are relegated either to a supporting role, or just plain seen as not good enough in comparison. Why is it that such talented women continue to have their posthumous careers and stories marked and shaped by their husbands?

Episode #34: Rivals- Pollock vs. de Kooning (Season 3, Episode 3)

The art world is a man’s world- or, at least, it used to be entirely one. This shouldn’t be surprising to anyone who is a longtime listener of the ArtCurious Podcast, because we’ve touched multiple times on the difficulties that have faced women who have sought careers as artists. Now, thankfully, in the age of #metoo, the male-heaviness of the art world is changing a bit, as it is in other facets of society. But turning back the clock to any other era in history, and the reality is that it was totally a man’s game. And the absolute manliness of it all was compounded intensely in one particular time and place: post-war America, where it was all about brusque machismo, the biggest innovations, and the biggest splash. It was a measuring contest like none other, and two larger-than-life characters were at the center of it all.

Episode #32: Rivals- Judith Leyster vs. Frans Hals (Season 3, Episode 1)

Rivalries are inherently fascinating, because they typically affect not only the individual rivals themselves, but also a whole ecosystem that can grow up around a rivalry-- spurring it on, and enabling it. Some of the greatest artists in history have engaged in some seriously curious conflicts. What causes these rivalries is fascinating and vast-- is it art and creativity? Is it money and patronage? Or is it simply ego? And are the artists really in conflict with one another, or does it just appear that way, to us, or to their communities? How have rivalries impacted art?

Today, we are starting an all-new season of episodes dealing with some of the wildest and most complicated rivalries in art history, beginning with the purported feud between Northern European heavyweights Judith Leyster and Frans Hals.

Episode #31: Season Finale, Art and WWII- The Long Shadow (Season 2, Episode 11)

World War Two was the bloodiest, biggest, and most destructive war of all time, decimating entire countries and taking the lives of millions. And as we have learned over the last 10 episodes of the ArtCurious Podcast this season, art was affected in many different ways due to the impact of the war. Art was used to document the experience of soldiers in battle; created to shape public opinion, values, and inspire the war effort; and to fight the enemy. It was a failed dream of Adolf Hitler, leading us to ask how art could have changed the course of history. And it was a victim in many ways, destroyed, looted, or impossibly altered during the course of events. But after the war ended in 1945 and the dust settled throughout Europe and other theaters of war, the effect of war on the art world lessened and the connections between the two softened. Right? Actually, that’s not what happened at all. And the effects of the Second World War are still being felt throughout the art world today.

Episode #30: Art and Remembrance (Season 2, Episode 10)

It's interesting that literature seems to have cornered the market on artistic depictions of those who experienced the Holocaust firsthand. We think of The Diary of Anne Frank or Elie Wiesel’s Night first and foremost when we think of how war has been creatively represented by those who survived it-- or didn’t survive it. But it turns out that there were many artists who made visual representations of their experiences, too-- and lots of these individuals were prisoners, like Anne eventually became, in concentration camps.